My notes from this Short
01
Two resonant high passes on LFO 2
The high pass is important. I run the saw on A through the HP 12 from the Multi list with some drive and resonance, and LFO 2 on envelope goes to the cutoff. The important part happens with another EQ in the effects. Put it on high pass with some resonance as well, and LFO 2 goes to this one too.
02
One macro for different tones
Put one macro on the cutoff and formant of a formant filter, the depth and frequency of a phaser, and the frequency of the high passes. You'll find different tones if you tweak this one. I use the Formant-II filter from the Misc list and a static phaser, with the rate, depth, frequency and feed taken down.
What I use in this video
Serum
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