My notes from this Short
01
FM from the sub makes it bubbly
Add FM from the sub oscillator on the harmonics oscillator. The higher you add it, the more bubbly the sine FM gets. I use the digital harmonic series on B, one octave down and plus seven semitones, with a sine on A and the sub oscillator, both two octaves down. You can also FM from B on oscillator A, which is the sub.
02
A whoop envelope on the levels and the cutoff
LFO 1 is an envelope that looks like a whoop type of thing, and it goes on the level of every oscillator. Make sure it also goes to the cutoff of the filter, a multi high pass 12 with some drive and B in it.
What I use in this video
Serum
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